Tag Archives: Rough Trade

Washed Out – Within and Without – Live Review


Rough Trade East did a great thing last Friday in bringing Washed Out to the store. They played Lovebox earlier in the day and are currently promoting their latest album release. Within and Without is a great album, and the guys have moved up a gear from their lo-fi days. The quality and fidelity is much higher and the song writing is just as brilliant. It may have lost some of its charm from being so well-produced, but you cannot say it’s not a great album. The big tracks, Eyes be Closed, Far Away and Amor Fati, are highlights, and the rest of the album is much more than just filler. Washed Out have always been an album band anyway, so go get drunk here, wake up with some pretty little thing you romanced in the night and put Within and Without on, let it wash over you, get blissed out and fall in love.


The In-store was just off the back of their show at Lovebox Festival earlier that day. I’m sure that the full electronic performance at Lovebox was great, but what they did at Rough Trade on Brick Lane was just special. They had stripped back all the electronics and the five piece band had more maracas than you could shake a maraca at, simply wired keyboards and multiple vocalists achieving their lovely sound. Most of the tracks they played were of a lounge-jazz persuasion but it came out brilliantly. Obviously in a record store no one is going to be jumping around like mad so this laid back performance was perfect and it really eschued the talented musicians that Ernest Greene has assembled. They played a couple of tracks from the new album including Eyes be Closed and they also played some of their best from the first two albums; notably Feel It All Around and New Theory. Speaking to the bassist and the super-cool headdress-wearing keyboard player afterwards (who wanted to go riding around on Boris Bikes!) they said they thought that it went better than the performance at Lovebox. Really great, really special and you should have been there. Did I mention it was free?


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Posted by on July 18, 2011 in Uncategorized


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1-2-3-4 Festival – 09/07/2011 – Review


Without wanting to spoil the conclusion of this review, I had a great time at 1-2-3-4. Perhaps my enjoyment of it has coloured my memories of the event a little rosier than it really was, but I don’t believe that. All enjoyment is subjective, and my morose compatriot of the festivities is testament to this fact. Aside from a late start, and some as-per-usual sound issues, I can’t think of much that went wrong. The weather was fine, and Shoreditch Park seemed to escape the rain that happened outside London.

The main things that struck me about this festival were probably the size and the people. Some may not look at it as a boon, but this festival is good because it’s small. I could probably jog from one side to the other in a minute, no probs. Yet inside there were four stages, plenty of bars, copious toilets, one large silver Kopparberg Kube (hello again friend!), a VIP area and some dodgems. The people were also (clearly) local. They were not the chumps that come into Shoreditch on Friday/Saturday night and start fights outside the kebab shop; they were the people who lived around Hoxton/Kingsland/Dalston and actually cared about the great (relatively unknown) bands and artists playing at this festival.

First act we properly saw were Arrows of Love who got off to a good start, but fell flat by the second song. Part of that was probably the fault of the awful sound work on the Art Rocker stage. Not enough bass, sounded weak and thin. So we left that pretty quick to go get something to drink and look around. At this stage in the day, there was a lot of space around and you could move from one stage to another in a few minutes. That was refreshing.

We ended up in the dance tent, which probably had the best sound alongside the main stage, and saw Attaque, someone we hadn’t heard previously. He wasn’t bad. Did a pretty good electro set, if a little bit mainstream for the too-cool-for-Ministry of Sound crowd that he was playing to. Could be good playing a heavier set in a dirty warehouse on Scrutton Street or something, but at this time of the day in this atmosphere his otherwise very good work went unappreciated.


I don’t know if you can see Rainbow Arabia in the background there on the Noisey stage, but they were fairly good. Her vocals do get a little raw after a while and if they hadn’t written some very good songs then I’m not sure I’d be a fan. As it stands, they were one of the bands at 1-2-3-4 who I expect big things from. Next year they will have an album and be playing further up the bill, although I’m not sure they will be headlining anything soon.

The real star of this show was the tiny Asian man standing at the front. Why was he there? How old is he? So cool, with that nonchalant stance and his hat probably obscuring his vision. So effortless. A massive contradiction in a sea of pretence. I figured that the most likely reason for his being there was this:

In Yokohama in 1967, Hiroshi (I have no knowledge of his name or nationality) worked in a little camera shop selling film to the neighbourhood scene kids, when this rock musician walks in to get some photos printed. The two people strike up conversation and one Damo Suzuki invites Hiroshi to a gig at the Town Hall. Hiroshi takes his girlfriend along and they all go back stage to drink Whisky and eat rice crackers. A couple of weeks into their friendship Hiroshi finds his girlfriend in bed with Damo and vows revenge. Damo runs off to Europe to have a career in Can and only now has Hiroshi raised the money to get a flight over and exact that revenge. Underneath that hat is hidden a tiny poisoned dagger small enough to pierce Damo’s heart. It’s possible that Hiroshi missed, because Damo didn’t die whilst we were watching, and so, poor Hiroshi’s grudge remains, probably to be carried into the afterlife.


So this is Damo freaking out. He was good too. I was worried he was going to get a bad neck though because he kept pulling his head real sharp to the right when he sang, and it was probably doing some damage. I don’t really know Can, or Damo Suzuki’s music, but Krautrock is cool, right?


This was Sex Beet on the Rough Trade stage. They have some great songs, and were pretty good on the day. No complaints. Definitely one to watch. However, I can’t remember too many details about them mind, so I was either having too much fun, or they weren’t that special.

Lydia Lunch was good for an aging punk who looked like my ex-girlfriend’s mum (that said, my ex-girlfriend’s mum was quite cool). Autokrats were fairly consumate too; something like a cross between Soulwax and Duran Duran, they were both industrial and hard electro but 80s and ridiculous at the same time.


Black Lips, on the Noisey stage, were obviously who everyone was there to see, and they didn’t disappoint, although I did remark later that they might have been a bit disappointing. An Irish girl I met later thought they were awful live, and that they were awful live as a rule. However, I really enjoyed it. Getting smashed around at the front like I was 15 again at my first Taproot gig was a lot of fun. I was launched into a crowd surf more times than I care to remember and have a lot of bruises to show for it. I had a lot of fun, I was pretty drunk by that point, and my friends just kept throwing me back up there.

At one point the band threw a plethora of toilet rolls into the crowd and we had a TP party for a while, but that was about as crazy as it got. Given that Black Lips are known for on stage fights, vomiting, stage invasions and more I was surprised we didn’t even get a snog between band members. On all other fronts, I can’t complain about their performance.

All-in-all, it was a great day. Small is the new big. You get to see the bands you want, there are no dickheads about pissing in their cups and throwing it at your head, and 80% of the people there could walk home in 20 minutes. This meant that the after parties were a great option. Twenty minutes walk and a can of K-cider later and we were watching Babeshadow at Hoxton Square Bar and Grill continuing to have a good time.

Special thanks go out to the guy who found my phone in Shoreditch Park and called my friend who subsequently met him, gave it to our other friend and returned it to me later in Hoxton Square Bar and Grill much to my elated surprise.

5 Crumbles – Because it was fookin’ great!


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Posted by on July 9, 2011 in News, Opinions, Uncategorized


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The Veils – Trouble of the Brain Review

The Veils - Trouble of the Brain

Can you remember the plain girl from your class in secondary (thats ‘high’ to those from the bad side of the Atlantic) school.  She was really smart, always really nice and clearly had a crush on you, but you never gave her any attention because you didn’t think she was pretty enough.  In hindsight she deserved better.

Well thats kinda what The Veils are like.  They’re always around, usually with some really good songs but they just don’t ever seem to get any attention.  Always the bridesmaid never the bride.  Well in a bid change that they’ve parted company with Rough Trade and set up there own little indie label, and if the ‘Trouble of the Brain’ E.P. is anything to go by, it may have been a great move.

''Didn't I go to school with her? Damn, girl got pretty and shit!''

Opening track Bloom is a fantastically springy number that practically pulsates with as much energy as a Duracell bunny, but the atmospherics of Joy Division.  Wishbone has a much deeper blues-ey folkey tone to it, like a carefully airbrushed Black Keys.

The Veils – Bloom

The Veils – The  Wishbone

Grey Lynn Park and Us Godless Teenagers are much more sombre and touching than earlier tracks, with the E.P. climaxing with the eerily harrowing Iodine and Iron, taking the listener to depths unexpected only a few tracks earlier. This of course is a skill Finn Andrews fans will be all to aware of and lets just hope there is more of this to come.

You can see Finn perform an acoustic version of Bloom in Bar 1001 off Brick Lane from last year here…

By the way, I saw that girl from school the other day…  she was banging.  Bet you wish you’d paid more attention now, don’t you?!

4 crumbles

Joe xoxoxo

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Posted by on February 9, 2011 in Uncategorized


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Well, lucky souls that you are, I trust the good news reaches you in earnest! Micachu and Raisa of The Shapes will be our honoured guests on 3rd July when the crumble residents James and Dunc will be warming you up with their summer sundaze mix (believe!) Mario and Luigi style, as well as the latest and greatest of mind boggling tunes that have been creaking their way into the said pair’s welcoming ear drums.

Moreover, here is a little stinky preview of the dirty shit that is going to get you daggerin’ on the dancefloor come that glorious first Saturday of July.

Micachu and The Shapes – Vulture is the opening track on Jewellery (Rough Trade 2009) if you haven’t got that album then you need it, it is truly one of the seminal works of 2009 in my most humble opinion!

Micachu has a history of working with grime artists and she shows her routes on this great hip hop track from Ghost Poet, Morning. Big shout out to the mention of Coventry (my home town, not proud of it!) in this song!

She also worked with the Mercury Music Prize winning Speech Debelle on one of the best tracks on her fantastic album, Better Days.

This remix of Lips by Astronomer is pretty much incredible.

Same song remixed by We Have Band (I think there has been a MixxxxOfffffff because there is a Micachu remix of Oh! somewhere if you can find it!)

And big fans of Metronomy that we are Micachu’s bizarre remix of Radio Ladio had to feature

Mica in the middle and Raisa on the left!

I think that should bring you up to speed on the talent that is Mica Levi, but there is nothing better than the real thing, as they say, so get yourself down to crumble on Saturday 3rd July. From 7pm we will be playing some of the best music you will hear anywhere in London and it’s going to get messy later. This is still a free event so you better not miss out, I’m just warning you…

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Posted by on June 24, 2010 in Uncategorized


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