Category Archives: Opinions

Opinions, reviews, new albums, what we think. Our opinions may not reflect your own, sorry.

1-2-3-4 Festival – 09/07/2011 – Review


Without wanting to spoil the conclusion of this review, I had a great time at 1-2-3-4. Perhaps my enjoyment of it has coloured my memories of the event a little rosier than it really was, but I don’t believe that. All enjoyment is subjective, and my morose compatriot of the festivities is testament to this fact. Aside from a late start, and some as-per-usual sound issues, I can’t think of much that went wrong. The weather was fine, and Shoreditch Park seemed to escape the rain that happened outside London.

The main things that struck me about this festival were probably the size and the people. Some may not look at it as a boon, but this festival is good because it’s small. I could probably jog from one side to the other in a minute, no probs. Yet inside there were four stages, plenty of bars, copious toilets, one large silver Kopparberg Kube (hello again friend!), a VIP area and some dodgems. The people were also (clearly) local. They were not the chumps that come into Shoreditch on Friday/Saturday night and start fights outside the kebab shop; they were the people who lived around Hoxton/Kingsland/Dalston and actually cared about the great (relatively unknown) bands and artists playing at this festival.

First act we properly saw were Arrows of Love who got off to a good start, but fell flat by the second song. Part of that was probably the fault of the awful sound work on the Art Rocker stage. Not enough bass, sounded weak and thin. So we left that pretty quick to go get something to drink and look around. At this stage in the day, there was a lot of space around and you could move from one stage to another in a few minutes. That was refreshing.

We ended up in the dance tent, which probably had the best sound alongside the main stage, and saw Attaque, someone we hadn’t heard previously. He wasn’t bad. Did a pretty good electro set, if a little bit mainstream for the too-cool-for-Ministry of Sound crowd that he was playing to. Could be good playing a heavier set in a dirty warehouse on Scrutton Street or something, but at this time of the day in this atmosphere his otherwise very good work went unappreciated.


I don’t know if you can see Rainbow Arabia in the background there on the Noisey stage, but they were fairly good. Her vocals do get a little raw after a while and if they hadn’t written some very good songs then I’m not sure I’d be a fan. As it stands, they were one of the bands at 1-2-3-4 who I expect big things from. Next year they will have an album and be playing further up the bill, although I’m not sure they will be headlining anything soon.

The real star of this show was the tiny Asian man standing at the front. Why was he there? How old is he? So cool, with that nonchalant stance and his hat probably obscuring his vision. So effortless. A massive contradiction in a sea of pretence. I figured that the most likely reason for his being there was this:

In Yokohama in 1967, Hiroshi (I have no knowledge of his name or nationality) worked in a little camera shop selling film to the neighbourhood scene kids, when this rock musician walks in to get some photos printed. The two people strike up conversation and one Damo Suzuki invites Hiroshi to a gig at the Town Hall. Hiroshi takes his girlfriend along and they all go back stage to drink Whisky and eat rice crackers. A couple of weeks into their friendship Hiroshi finds his girlfriend in bed with Damo and vows revenge. Damo runs off to Europe to have a career in Can and only now has Hiroshi raised the money to get a flight over and exact that revenge. Underneath that hat is hidden a tiny poisoned dagger small enough to pierce Damo’s heart. It’s possible that Hiroshi missed, because Damo didn’t die whilst we were watching, and so, poor Hiroshi’s grudge remains, probably to be carried into the afterlife.


So this is Damo freaking out. He was good too. I was worried he was going to get a bad neck though because he kept pulling his head real sharp to the right when he sang, and it was probably doing some damage. I don’t really know Can, or Damo Suzuki’s music, but Krautrock is cool, right?


This was Sex Beet on the Rough Trade stage. They have some great songs, and were pretty good on the day. No complaints. Definitely one to watch. However, I can’t remember too many details about them mind, so I was either having too much fun, or they weren’t that special.

Lydia Lunch was good for an aging punk who looked like my ex-girlfriend’s mum (that said, my ex-girlfriend’s mum was quite cool). Autokrats were fairly consumate too; something like a cross between Soulwax and Duran Duran, they were both industrial and hard electro but 80s and ridiculous at the same time.


Black Lips, on the Noisey stage, were obviously who everyone was there to see, and they didn’t disappoint, although I did remark later that they might have been a bit disappointing. An Irish girl I met later thought they were awful live, and that they were awful live as a rule. However, I really enjoyed it. Getting smashed around at the front like I was 15 again at my first Taproot gig was a lot of fun. I was launched into a crowd surf more times than I care to remember and have a lot of bruises to show for it. I had a lot of fun, I was pretty drunk by that point, and my friends just kept throwing me back up there.

At one point the band threw a plethora of toilet rolls into the crowd and we had a TP party for a while, but that was about as crazy as it got. Given that Black Lips are known for on stage fights, vomiting, stage invasions and more I was surprised we didn’t even get a snog between band members. On all other fronts, I can’t complain about their performance.

All-in-all, it was a great day. Small is the new big. You get to see the bands you want, there are no dickheads about pissing in their cups and throwing it at your head, and 80% of the people there could walk home in 20 minutes. This meant that the after parties were a great option. Twenty minutes walk and a can of K-cider later and we were watching Babeshadow at Hoxton Square Bar and Grill continuing to have a good time.

Special thanks go out to the guy who found my phone in Shoreditch Park and called my friend who subsequently met him, gave it to our other friend and returned it to me later in Hoxton Square Bar and Grill much to my elated surprise.

5 Crumbles – Because it was fookin’ great!


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Posted by on July 9, 2011 in News, Opinions, Uncategorized


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1-2-3-4 Festival Preview, Shoreditch, London, Saturday 9th July

While one distinguished member of the Crumble Mega Squad is fishing his tent out of a quagmire in a field somewhere in the South West of God’s Glorious Country (not USA), we are going to look at an altogether different festival that’s coming up in just two weeks’ time. On 9th July, Shoreditch Park (which is situated behind Hoxton Street) will dehisce and let in fuck loads of crusty hipsters. Yes, this is very much Shoreditch’s festival, it belongs to East London. That’s not to its detriment, in fact, it means that what you’ll be getting at this festival are bands at the absolute cutting edge of music, the newest and coolest bands that you will be listening to in a year’s time thinking: “Fuck, why didn’t I see these guys at 1234 rather than trying to finger that 18-year-old arts student?”

We don’t know her, but she’s sleeping and she might not notice…

Black Lips – Starting Over

Anyway, I want to alert you to the fact that, in collaboration with, you can get 1234 tickets for about a fiver less than the normal price! Additionally, this gets you in to a number of after parties which you will be wanting to go to. XOYO has Zombie Nation, Autokratz, stopmakingme, and more (which is a line up in itself!) for £6 (or free with the Noisey ticket!), Dalston Superstore has Hannah Holland, and other places such as Old Blue Last and our favourite gash-trap Catch-22 open their doors. XOYO might be the latest but Catch is pretty close and we do love Catch. FUUUUUURRRTHERMOOORE, there are some motherflippin’ PRE-PARTIES to go to too. Man, it’s a hard life. At The Shacklewell Arms (in new management and now super-cool) there will be a pre-party this very Saturday. Advert, Peepholes and French Kissing will play live and there are DJs til 3am. Not bad.

Black Lips

Black Lips are headlinging the festival, and are obviously going to be quality; be sure to wear leather or denim and grow your hair especially for the event. However, there are some other bands we want to highlight for your delight.

Damo Suzuki is a crazy Japanese guy from Can (an old krautrock band) and could well be worth catching just for some experimental, messy, insane, hard rock n roll. Lydia Lunch is some mentalist 20th century version of Laurie Anderson or something, not the most accessible music but interesting nonetheless.

Rainbow Arabia

Rainbow Arabia – Without You (Nguzunguzu remix)

Rainbow Arabia are a nice and lovely electronic singy band from “fucking L.A.” and they play quite nice electronic singy music with good drums. Worth catching. Look a bit old though; hope they aren’t trying a Ting Tings.


Nguzuznguzu are bloody excellent though!

Munch Feat. Lexx – Shottas (Nguzunguzu remix)

And check this badman out.

Nguzunguzu – Strut (Dubbel Dutch remix)


Purity Ring – Ungirthed (Christian AIDS remix)

Rave is back. More proof of which comes in the form of one of our very favourites Christian AIDS Stay+, who have had to change their name because of threatened legal action from the Good Samaritans at Christian Aid. It is a pretty offensive name, I did wonder how long it would be before it happened. However, you are going to be cutting off your foreskin to get tickets to see this band next year, mark my words. We are actually seeing them at The Victoria in Dalston next Thursday 30th June, it’s a free gig but you have to go on Ticketweb to get the tickets. They are a pretty mysterious outfit so you better get them while they’re hot. Pretty much everything Stay+ have done so far is amazing, and its got a distinct and fresh sound. Rave for the post-2 girls 1 cup world.


Nelson Grover – Awake (TWR72 remix)

TWR72 are another act reviving rave, or ‘Future Techno’ as NME dubbed it. Either way, if you come down to 1234, and like electronic dance music, the trio of Stay+, Nguzunguzu and TWR72 will keep your ear drums ringing with the sounds of 1993 for days. They are another band that Crumble hope to catch while we are there.

If it’s dirty, and messy, and raucous, then we can do business.1234 is all about finding out what’s going on in the future. Get your cheap ticket from through seetickets here, and come say hi to the guys giving flyers to any and all hot girls; the flyers will look like this:

Further mentions go to:

Babeshadow, who sound like an English version of Fool’s Gold, and are actually very nice. I’m a sucker for summer.

Two Wounded Birds, from Margate of all places. Sound like an English The Drums maybe. British Surf rock, if such a thing exists. On Moshi Moshi so you know they are legit.

Another surf rock band, that apparently started out as a joke, are Sex Beet. English version of Wavves?? Pretty good! Nice and noisy.

Peepholes – Lair (E Rock remix)

Peepholes are pretty interesting, and they are playing the warm up show this Saturday at The Victoria (see above). Check out this remix, it’s pretty great.

Their own stuff is pretty good too.

Phew! That should sort you out. So, you know where to get the tickets, where to go before, where to go after, and all the bands to see. C’est magnifique, non? Have a great time, we will.


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Posted by on June 24, 2011 in News, Opinions


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Live Review – Tom Vek @ Heaven Thursday 16th June 2011

An interesting turn of fate yesterday landed me with the pleasure of going to see Tom Vek. This really shouldn’t have happened but international relationships with our nation’s government intervened and created a hyperplexus large enough to mean that our fellow blogger and crumbler, Joseph, couldn’t attend. This gig sold out within minutes of going on sale, and it’s one of only five around the country that our reclusive multi-instrumentalist musician is performing.

I only caught the end of the support act, so wouldn’t like to comment on their performance too much; but they were alright. The night was all about Tom anyway. In the indie community, he is something of a demi-god, at least a legend. His first album was hailed and then he disappeared, taking five years to create this. Some think five years might have produced better, but we like it, as is already well documented.

He opened well. Playing some of the new tracks before resorting to his first album, to which the crowd got a bit excited. One reveller commented that people didn’t appear to have heard much of the new album. Perhaps it’s not been long enough since it’s release but it did seem that only A Chore from Leisure Seizure got the crowd crazy. However, the older tracks, like below’s video of Nothing But Green Lights and I Ain’t Saying My Goodbyes, were pretty popular.

The gig was good: the performance solid and the light show quite good, albeit mostly red, except for the aforementioned song, when things turned green. Tom’s voice is incredibly iconic, and sounds much more impressive than his surprisingly small stature (now with short haircut). So overall, as not the biggest Tom Vek fan in the world, I was treated but not overawed. The really impressive moment had to wait until the end, when the overarchingly standout track of Leisure Seizure was played as an encore. The video below doesn’t really do justice to the sound quality, and I was dancing, and my friend did start shaking the camera around at one point, but you have the encore in it’s entirety, and it’s quite nice.

The girl who masquerades as Tom for the first verse is actually in the video for A Chore, and it was nice to see her give us a little performance that confused a lot of people. You can hear how pleased the crowd were, and I think a lot of people really completed an ambition by seeing a man that is notoriously hard to track down. The winners of the night were his hardcore fans, of which I do not consider myself one; however, I am now definitely a fan, and it was an excellent gig.

4 Crumbles


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Posted by on June 17, 2011 in Opinions, Uncategorized


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‘Hooray for Earth – True Loves’ Album Review

Hooray for Earth are the kind of band that could go unnoticed. I don’t know what it is about music that is synth driven into outer space that makes it indistinct, but it would not be wrong to compare Hooray for Earth to MGMT, Yeasayer, Klaxons, Late of the Pier etc who all seem to disappear until a new album comes out and everyone remembers them again. All these bands are loved dearly for a short period of time and passed over to the annals. I would like to hope, for Noel Heroux’s sake and our sakes too, that this won’t happen to Hooray for Earth. However, it’s a sad inditement of music today that it’s all too transient and short-lived.

Having said that, forget all about it, max-screen this video, turn the volume up and let it wash over you.

I knew I would write a postive review of this album within about the first two minutes of the first song. The euphoric opener (Realize it’s not the sun; above) is an impressive intro to a very good (and sometimes fantastic) album. It sets the tone of space dreams and nightmares of the distant future well, and it sticks to it. Songs like Hotel show lonely, depressed element of Heroux’s personality that has been documented before. However, other key tracks (the better ones on the album) have an overwhelmingly euphoric and dare-I-say-it ‘epic’ effect. It’s like listening to a great tragedy where the love story ends in massive heartbreak but it’s so beautiful that you are glad it ended, as it would never have been important if it hadn’t.

The title track of the album (True Loves; above video) is probably the best to date, and the video really works. Like 2001: A Space Odyssey meets Yearsayer’s Ambling Amp video.

The music is huge. Layers upon layers of synth. Two vocalists. Stacks of drums and beats. I want to see this happen live in a big way, and can’t wait for them to tour here in the UK, of which there are no current plans.  They are currently touring with Architecture in Helsinki in the US, but the album was just released on 7th June via Dove Cote Records, whom I assume you will be able to buy the album from if you are in the US?

Hooray for Earth first came to my attention from their work with Twin Shadow. Twin Shadow did an excellent remix of Surrounded By Your Friends (from the Momo EP) and then they collaborated to write A Place We Like. I leave you these gifts and will probably be playing them at our new night ‘Bon Bon’ on 16th July, to be held at Albert & Pearl on Upper Street. Click for the Facebook event page and the ‘Like‘ page. Hopefully see you there!

Hooray for Earth – Surrounded By Your Friends (Twin Shadow remix)

Hooray for Earth Vs Twin Shadow – A Place We Like

4.5 Crumbles


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Posted by on June 15, 2011 in Opinions, Uncategorized


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Broken Social Scene – Sweetest Kill video

Broken Social Scene are just excellent. Every record they’ve made has been top quality, and if you haven’t heard the 2010 released Forgiveness Rock Record then go and get it now. The above song is very nice, lovely, nicey lovely music. The video is not. It’s dark and violent but also touching. Watch.


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Posted by on June 8, 2011 in News, Opinions


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Metronomy – The English Riviera Review

Metronomy’s new album has arrived. We love it.

A few things have changed for Metronomy since ‘Nights out’ in 2008. Gabriel left the band to focus on fronting Your Twenties and a new line-up have emerged. Of course, Joseph Mount remains in charge, but the rather lovely Anna Prior has been drafted in on live drums, and bassist Gbenga Adelekan has joined in.

The sound has changed too. Some reviewers said Nights Out sounded like a second debut album after Pip Paine (pay the £500 you owe) and it seems now that Metronomy have managed to pull a third debut out of the bag. With melodic synths and some wonderful guest vocals from Roxanne Clifford on ‘Everything goes my way’, the whole thing slots together nicely.

Apparently the artwork is an image from an actual ‘English Riviera Tourist Board’ poster Joe Mount saw once. The album opens with sounds of the seaside washing over the headphones with forlorne strings and bass easing us into things. Although they retain elements of the “spiky synth, wonk-pop party band” once described by Joe Mount, building to a creshdo for the finale ‘Love Underlined’,  Metronomy are also more chilled and more melodic.  This album is a treat for any summer day.

The video for ‘The Look’ is great:

On a seaside theme, click here for culturally enriching things to do in Margate.



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Posted by on April 14, 2011 in Opinions, Uncategorized


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